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She lived the party and painted life. She would bring handsome
men and beautiful women to her parties. She would make them
drunk with wine and relaxed with music, awaiting for their
young bodies to became interwoven with desire. She would
move barely dressed from one body to the next until She
would chose couples she found exceptionally attractive.
Those couples would stay at the castle for several weeks
enjoying her generosity….In return they would pose at her
art studio.
Nude bodies in passionate embraces on her paintings caused
terror among the entire cultural public. They could not
understand her freedom not being free themselves. They could
not understand her persistence being dishonest themselves...
Mothers would cover their children’s eyes while priests
would cross themselves mumbling the name of Mary Magdalene
every time her coach would pass through town.
At The Court, tales were told of monks and their horrifying
screams as they flagellated themselves for nights after
witnessing one of Her picnics…. Rich gentlemen bought her
paintings but told their wives they were the gifts for their
sons, their off-spring’s latest art interest. Once bought,
the painting became an icon of self-gratification to fathers,
sons and their friends.
The Countess had powerful guardians who protected her from
red faced puritans. Men wanted her desperately but received
just enough of Her attention to have Her commands executed
unconditionally.
The Countess loved men, but most of all she loved Her freedom.
She smiled at rumours about herself as She would sip her
cognac at a veranda of her summer home, somewhere above
the ocean.
The Countess knew that people who were scared of life spread
rumors. Her life was a lavish party where there was no room
for them...
While others watched, she lived a life of her passions…”.
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